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 A poem in the rough from Buffalo - work in progress 
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Cania
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Joined: April 2003
Posts: 1561
Location: Near Seattle
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It's been a while since my creativitity has had a spark to flow. I recently jotted some words and have been working them here and there. Not sure of the title but why not.

Compozitor

Ink stained paper
Finger caressed string.
Can you hear my voice,
Inspiration echoing?

Sorrow drenched skin
Hollow empty gaze.
Can you see my presence
Amongst writhing flesh maze?

Love carries me to apex
Amorous allure its call.
Can you feel the heartbeat,
Stentorian as we fall?

Hatred ripped from headlines
Razors edge slicing soul.
Can you taste my blood
Keeping warm the coal?

Joy cascades perpetual
Ecstasy a gasp away.
Can you smell the sunlight
Amid the dancing fey?

The curtain forced upon us
Resonanting remnants of the score.
Will you fear the hunger
Lusting for an encore?

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'Don't you know there ain't no devil, there is just God when he's drunk.'T.Waits

'If life gives you lemons, find the person whose life gave them vodka.'R.White

'The writing is the stitching that keeps me from exploding' H.Rollins


Thu Jul 05, 2007 3:38 pm
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Stygia
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Location: Dundee, Scotland
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*Blinks*
This is really nice, I can tell it is rough but whole at the same time. I'm more then interested in seeing how it develops.
Quote:
Ink stained paper
Finger caressed string.
Can you hear my voice,
Inspiration echoing?

I especially like this stanza, it reminds me of a character that happens to be making a pest of herself in my head at the moment.

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Mon Sep 10, 2007 3:59 am
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Cania
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Joined: April 2003
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Location: Near Seattle
Gender: Male
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Thanks.

The vision I am attempting to achieve is a complex life, music, art, poetry journey. I believe I conduct a huge jump from the first to the second verse.

Verse 3, 4 and 5 speak to the emotional high and low.

Verse 2 is to give the physical reference of a dance or pit. The reader is set in the crowd viewing the orchestration.

I enjoy the opening and closing verse. They both accomplish what I desire for visual and sensual aspects. I think the largest hurdle is transitioning from the opening to the body and arranging the body to revolve more around emotional, physical, spiritual. The current patterning seems to be more a a train station ("now arriving at emotional state. The trainin will leave for Spiritual in 2 minutes.") pattern. I need better placement to achieve the restrained choas I desire in the body to make the last verse more potent.

_________________
'Don't you know there ain't no devil, there is just God when he's drunk.'T.Waits

'If life gives you lemons, find the person whose life gave them vodka.'R.White

'The writing is the stitching that keeps me from exploding' H.Rollins


Wed Sep 19, 2007 4:18 am
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Stygia
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Location: lexington, ky
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Thats really good! Much better than any of mine >.<

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Sun Sep 30, 2007 5:02 am
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Phlegethos
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Location: Aylesbury
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Are you sure that this is in the rough it seems too good to be in the rough. i like the poem, although i am not usualy a fan of poems that rhyme i prefer open verse. however everyone has their own style of writng.

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Wed Oct 24, 2007 6:03 am
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Cania
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Joined: April 2003
Posts: 1561
Location: Near Seattle
Gender: Male
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Yes. This is the first version written after the swirling brain storm of jotted down bits. The rhyme always assist me in setting a rhythm and it gives me bounds when I am trying to focus the writing.

_________________
'Don't you know there ain't no devil, there is just God when he's drunk.'T.Waits

'If life gives you lemons, find the person whose life gave them vodka.'R.White

'The writing is the stitching that keeps me from exploding' H.Rollins


Wed Oct 24, 2007 2:55 pm
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